Albee, Edward: 1928 - 2016

Who's Afraid of Virginia Woolf?, 1962 - Secondary Literature

  • Gender Roles & Masculinity/Femininity

    • Ágnes Zsófia Kovács
      "The Construction of Masculinity in Edward Albee’s Plays"
      In Hungarian Journal of English and American Studies, Vol. 17, No. 1-2 (2011).
      Use for: Explores George’s role and the fragility of masculinity within the context of mid-century American culture.
    • Katie Musgrave
      "Performing Gender and Dysfunction in Who’s Afraid of Virginia Woolf?"
      In Papers on Language and Literature, 2012.
      Use for: Analyzes how Martha and George use performance and gender norms to assert power.
  • Illusion vs. Reality / Truth and Games

    • Michael Y. Bennett
      "Truth and Illusion: Edward Albee’s Who’s Afraid of Virginia Woolf?"
      In Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter (2011), Palgrave Macmillan.
      Use for: Frames the play within Absurdist traditions and examines the use of games and truth as existential tools.
    • Elham Alzouebi
      "Edward Albee’s Use of Illusion and Reality"
      In Advances in Language and Literary Studies, Vol. 9, No. 2 (2018)
      Use for: A close analysis of Albee’s use of dramatic illusion in psychological and thematic contexts.
  • Family, Childlessness, and the American Dream

    • Stephen Bottoms
      "Edward Albee and the American Dream"
      In The Cambridge Companion to Edward Albee (2005)
      Use for: Discusses how the play deconstructs mid-century ideals of family and success
    • Patricia R. Schroeder
      "The Imaginary Child and the Death of the American Dream"
      In Modern Drama, Vol. 53, No. 2 (Summer 2010)
      Use for: Interprets the invented son as both a psychological crutch and a symbol of societal expectations.
  • Power Dynamics and Psychological Warfare

    • Brian Schneider
      "The Battle of Wits: Verbal Abuse and Power Struggles in Albee’s Who’s Afraid of Virginia Woolf?"
      In The Midwest Quarterly, Vol. 54, No. 3 (2013)
      Use for: Explores the ways George and Martha use language to assert dominance and control.
    • S.E. Wilmer
      "Playing with Power: Language and Psychological Violence in Albee’s Plays"
      In Journal of Dramatic Theory and Criticism, Vol. 28, No. 1 (Fall 2013)
      Use for: Investigates Albee’s strategic use of dialogue as emotional weaponry.
  • Alcohol, Escapism, and Coping Mechanisms

    • Ruby Cohn
      "Alcohol and Catharsis in American Drama"
      In Modern Drama, Vol. 54, No. 4 (2011)
      Use for: Addresses drinking as a dramatic and psychological device in postwar American plays including Albee.