Albee, Edward: 1928 - 2016
Who's Afraid of Virginia Woolf?, 1962 - Information about the Book
- General Information
- The play opened on Broadway at the Billy Rose Theatre on October 13, 1962.
- The play examines the complexities of the marriage of a middle-aged couple and their bitter and frustrated relationship.
- Information from Wikipedia
- Information from the Edward Albee Society: summary, analysis.
- Information from Wikiwand
- Information from StageAgent
- Facts
Some of the most notable awards are:Tony Award for Best Play of 1963
New York Drama Critics' Circle Award for Best Play 1962–63
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- Summaries and Analyses of the various scenes
- Collection of Summaries
- Character Analyses: George, Martha, Nick, Honey
- Marriage and Relationships The play centers on the turbulent marriage of Martha and George, an older couple who engage in vicious verbal and emotional games with each other. It portrays marriage as a battlefield and dissects the darker aspects of relationships, such as resentment, mind games, and the inability to have children.
Illusion vs. Reality A major theme is the contrast between illusion and reality. Martha and George have created an imaginary son to cope with their inability to have children. Their made-up stories and games represent their retreat into illusion to avoid facing the harsh realities of their marriage.
Societal Expectations The play challenges the 1950s idealized notion of the perfect American family. It exposes the emptiness and dysfunction that can lie beneath the facade of a respectable, middle-class couple. Albee critiques the pressure to conform to societal expectations of marriage and family life.
Competition and Power Dynamics Martha and George's relationship is characterized by a constant struggle for power and one-upmanship. Their games and verbal attacks are a means to assert dominance over each other and their guests Nick and Honey.
By exploring these themes through the lens of Martha and George's marriage, "Who's Afraid of Virginia Woolf?" offers a scornful commentary on the unpleasant side of American suburban life in the 1960s.
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- Explanations
- References
- The general perception of "Who's Afraid of Virginia Woolf?" is that it is a boozy portrayal of marital discord and dysfunction. The 1966 film adaptation starring Elizabeth Taylor and Richard Burton popularized this view, overshadowing the play's deeper commentary on American society and the tensions between illusion and reality.
However, Albee intended the play to be thought-provoking rather than merely entertaining. He used the play to probe and challenge American ideals of marriage, the mythos of the American dream, and social values. Albee presents mental and emotional regression as a consequence of living within illusions, and suggests that confronting reality with candour and authenticity is necessary for emotional maturity.
The play explores themes such as the phoniness of public and private images in marriage, the desire for success and its impact on self-esteem, and the influence of parents and children on each other. Albee also uses the play to comment on societal decay, with characters like George and Martha symbolically representing a fallen civilization.
While the play is often remembered for its intense portrayal of marital discord, various stage productions have highlighted its multifaceted nature and enduring impact. As the play continues to be revived in today's era of distorted truths and illusions, its relevance as a poignant reminder of the perils of living detached from reality becomes increasingly apparent.
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- Author
- College or university? Both expressions are used; in a mail sent to SwissEduc on January 10, 2002 Edward Albee explains, "I think the problem is simply the author not being careful. Of course it's a college."
- Relationship of the characters
- TranscriptHans Fischer - Mr. Albee, is it possible to see Nick and Honey as representing young George and Martha? It would then mean that after 22 years of marriage Geoge and Martha would finally think about what has gone wrong in their relation. Or is this not how you would like to see your play?
Edward Albee - Well, I can't stop anybody from thinking that way, if they want to. But none of the characters in "Who's Afraid of Virginia" are metaphorical. They are real people in real situations. These people are not representatives. Nick and Honey are not representatives of George and Martha 20 years later. They are representatives of themselves only.
Hans Fischer - Thank you very much.
- Transcript
- Audio (8:19)
Edward Albee talks about the imaginary child. NPR Radio; March 12, 2008
Transcript - Edward Albee discusses with Ken Paulson his play and censorshhip; May 18, 2001
- Articles
- Douglas Schatz discusses the play’s origins, its themes, characters, structure and impact.
- When Love Hurts: "It is easy to behave like like Martha and George, to prefer familiar pain to the unknown. Theirs is the tragedy of wasted life, not being able to grow up and transcend negative events from their childhood, trapped into being eternal victims. But the power of the love they share lies in its transforming quality." Shirley Galloway, 1993
- An Illusive Reality in Albee's Who’s Afraid of Virginia Woolf?: "Albee suggests that illusion is an American weakness. In Who’s Afraid of Virginia Woolf?, the relationship between Martha and George is absurd because it is based on an illusion." Lapis Lazuli - An International Literary Journal; Autumn 2013
- How Edward Albee felt about his most famous work: "Albee said he wrote the play’s cutting dialogue to dig “so deep under the skin that it becomes practically intolerable.”" PBS News Hour; September 17, 2016
- The play is a misunderstood masterpiece: "It embraces not only history and science but even religion in that Nick’s father-in-law was a travelling preacher who managed to reconcile God and Mammon." Michael Billington, The Guardian; September 18, 2016
- Audio (6:42)
'Virginia Woolf' Returns to Broadway; information about the play in general. NPR Radio; March 18, 2005 - The relationship of power and education in Who’s Afraid of Virginia Woolf: "Many believe that getting a good education correlates positively with success in later social and financial life. Edward Albee seemingly disagrees." March 3, 2016
- Audio (7:05)
'Cocktails' revisits the making of 'Virginia Woolf': "'Who's Afraid of Virginia Woolf?' took aim at post-war America's idealized vision of marriage, in which fathers knew best and wives just loved being mothers and helpmeets." 'Cocktails' is a book by Philip Gefter. NPR Radio; February 26, 2024 - Competitive Masculinity. Modern Drama; Winter 2007
- Gender Roles: "Each of the four characters has ways in which he or she loses any sense of gender identity; they don’t feel like real women or real men". InfoRefuge; 2023
- Douglas Schatz discusses the play’s origins, its themes, characters, structure and impact.