Wright, Richard: 1908-1960

Black Boy, 1945 - Information about the Book

  • General Information
    • An autobiography of Richard Wright's early life, examines Richard's tortured years in the Jim Crow South from 1912 to 1927. In each chapter, Richard relates painful and confusing memories.
    • Information from Wikipedia
  • Facts

    • Some of the most notable awards are:

      Notable Book Award: In 1945, "Black Boy" was selected as a notable book by the American Library Association.

      Anisfield-Wolf Book Award: "Black Boy" won the Anisfield-Wolf Book Award in 1945. This award recognizes works that have made important contributions to our understanding of racism and human diversity.

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    • Richard Wright - The protagonist and narrator, Richard is an introspective and rebellious young man growing up in the racist Jim Crow South. He hungers for knowledge and freedom of expression, constantly questioning the oppressive societal norms around him. His curiosity and defiance often put him at odds with family members and authority figures.

      Ella Wright - Richard's strong-willed mother, who faces immense hardship raising her children alone after being abandoned by her husband. Despite her struggles with poverty and illness, she is determined to provide for her family. Her strict discipline and resilience deeply influence Richard.

      Nathan Wright - Richard's father, who deserts the family early in Richard's childhood, plunging them into poverty. His absence is a formative experience for Richard and represents the broader theme of abandonment.

      Granny - Richard's grandmother, a devout Seventh-day Adventist, embodies the religious and moral constraints that Richard rebels against. Her harsh punishments and attempts to instill her beliefs in Richard create a tense conflict between them.

      Aunt Addie - Granny's youngest daughter, who runs the Christian school Richard attends. Like Granny, she tries to discipline and impose her religious views on Richard, further fueling his resistance.

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    • "Black Boy" was widely acclaimed upon its publication and has since become a classic work of African-American literature. It was enthusiastically received by the reading public, topping bestseller lists when it was published as a Book-of-the-Month Club selection in 1945. Critics praised Wright's vivid depiction of the realities of life for a young black man under the pressures of a racist environment. The book blurs the boundaries between fiction and nonfiction, dramatizing scenes from Wright's early life while capturing his emotional reactions, intellectual awakening, and condemnation of American racism.

      Wright uses "Black Boy" to trace his development as a writer and the difficulty of becoming a responsible and articulate black man in an oppressive racist culture. Language is a central theme, with words depicted as both a tool for transcending one's environment and a dangerous weapon in the face of racism. The book is considered one of the most influential works in African-American literature.

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  • Analyses
    • An Insatiable Hunger. "A large part of why Wright could not understand his peers was his inability to understand the racial gap between blacks and whites." A Literary Analysis Inquiries Journal; 2009
  • Articles
    • 100 best nonfiction books: No 36 – Black Boy. The Guardian; October 3, 2016
    • Tragically, and dramatically, many of Wright's battles are against members of his own race, even members of his own family, who in order to survive had been forced to internalize the brutal teachings of segregation and were trying to pass them on to Richard for "his own good." Richard resists this internalized agenda to defend fairness and decency as if his life were at stake.
      This conflict underlies a number of the book's extremely dramatic confrontations--for instance, Richard's refusing to bow to the threats of his junior high school principle over his valedictorian's speech, his violent responses to his extremely strict aunt and grandmother, and his threatening to kill his Uncle Jack rather than be whipped by him because he thought Richard needed whipping generally.
      As Richard grows into his teens, he feels an increasing tension between the world of his hopes and imagination and the world around him, and yet he knows he cannot be other than he is. The result is that he lives with a panic-level fear of being caught. As Wright dramatically describes his situation at the age of fifteen: "Somewhere in the dead of the southern night my life had switched onto the wrong track and, without my knowing it, the locomotive of my heart was rushing down a dangerously steep slope, heading for a collision, heedless of the warning red lights that blinked all about me, the sirens and the bells and the screams that filled the air." (Ch. VII) Wright knew that for him, it was escape or die.
      Woodcock, John A.
      Excerpted, with permission, from the Literature, Arts, and Medicine Database at New York University School of Medicine, © New York University.
    • Professor Amy Hungerford, Yale University, discusses Black Boy. 00:00 - Chapter 1. Classifying the Literary Object: Fiction and Autobiography
      06:06 - Chapter 2. Choices in the Construction of an Autobiography: A Close Reading of the First Scene
      11:26 - Chapter 3. Decoding Meaning in Wright's Descriptive "Catalogs"
      16:58 - Chapter 4. Powerlessness and Exertions of Agency
      28:00 - Chapter 5. Language and Power: The Voices of the Author
      38:36 - Chapter 6. The Fisher-Wright Letters: Author vs. Audience, How Outside Forces Shape the Formation of a Personal Account