Williams, Tennessee: 1911-1983

The Rose Tattoo, 1951 - Information about the Book

  • General Information
    • After the Chicago premiere on December 29, 1950, Williams made further revisions to the play for its Broadway premiere on February 2, 1951.
    • In this play Serafina, a dressmaker, learns that her dead husband was unfaithful to her. The play becomes a celebration of sexuality.
    • Information from Wikipedia
    • Information from Encyclopedia
    • Information from StageAgent

    • The play is dedicated to Frank Merlo, Williams’s Sicilian-American partner, whose background and family provided inspiration for the Sicilian immigrant community depicted in the story. Williams credited Merlo’s world and his travels to Sicily with exposing him to the “vital humanity and love of life” expressed by Italian culture, which he sought to capture in the play.

      Williams’s immersion in Sicilian culture during his travels with Merlo significantly influenced the play’s setting, characters, and humor. He infused the story with authentic Sicilian details, blending them with his Southern roots by situating the narrative along the Gulf Coast.

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  • Facts

    • Some of the most notable awards are:

      Tony Award for Best Play (1951)

      New York Drama Critics' Circle Award for Best Play (1951)

      Pulitzer Prize for Drama (1951)

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    • Sexuality and Desire
      The play celebrates sexuality as a vital life force, exemplified by Serafina's reverence for her late husband Rosario's virility. Serafina's obsession with Rosario's sexual prowess and her eventual seduction by Alvaro underscore Williams' view of sex as essential to human relationships and fulfillment. The play has a Dionysian spirit, invoking ancient pagan celebrations of fertility and sensuality.

      Pride and Hubris
      Serafina's excessive pride in her husband and boastful nature constitute a tragic flaw reminiscent of ancient Greek drama. Her hubris leads her to idolize Rosario and view herself as superior, until she learns humility by accepting his imperfections and her own ordinariness. This mirrors the downfall of the tragic hero due to hubris in classical tragedy.

      Humanity and the Ridiculous
      While borrowing from tragic conventions, the play ultimately portrays humans as flawed, ridiculous creatures through its comedic elements and clownish characters. Williams fondly suggests that despite suffering, the human condition is essentially comic and undignified. The blending of tragic and comic modes reflects Williams's nuanced perspective on humanity.

      Idolatry and Religion
      Williams juxtaposes pagan and Christian symbolism, with Serafina's shrine to Rosario's ashes mirroring idolatry. Her defiance of Catholic doctrine signals a rejection of conventional religious morality in favor of a more primal, Dionysian reverence for life's sensual pleasures.

      In summation, "The Rose Tattoo" interweaves themes of sexuality, pride, humanity's ridiculousness, and pagan spirituality, reflecting Williams's unique synthesis of comic and tragic modes to explore the complexities of human nature.

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    • "The Rose Tattoo" is generally perceived as a departure from Williams's more well-known tragic plays. While it retains some of his signature themes and style, the play is considered more light-hearted and experimental in its blending of comedic elements, ancient Greek tragedy, and Dionysian celebration.

      Critics have noted the play's bawdiness, farcical moments, and the way it gets its characters into ridiculous situations, contributing to its comedic tone. At the same time, the play's main character, Serafina Delle Rose, is seen as a tragic figure with a major flaw, like classic tragic heroes.

      The setting of a Gulf Coast village populated by Italian Americans with Sicilian roots is also considered unique for Williams's work, which is more often set in the American South. The play's focus on virility and life is seen as a nod to the god Dionysus, associated with love, intoxication, and right worship.

      Overall, "The Rose Tattoo" is regarded as an experiment in comedy for Williams, blending various dramatic traditions into a play that is both humorous and thought-provoking in its exploration of themes like pride, humility, and the celebration of life

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  • Commentary
    • Tennessee Williams’ "The Rose Tattoo" is a poignant exploration of love, grief, and renewal, infused with Sicilian passion and cultural identity. The play centers on Serafina Delle Rose, a seamstress in a small New Orleans town, who is consumed by mourning after the death of her husband, Rosario. She idealizes him as a saintly figure, despite his infidelity and criminal activities, symbolized by the rose tattoo on his chest. Her grief isolates her from the community and her daughter until she learns of Rosario’s betrayal, which shatters her illusions and sets her on a path to rediscovering life and love through a lighthearted romance with Alvaro Mangiacavallo.

      Williams blends realism with symbolic elements, portraying Serafina as a fiery and resilient character embodying both vulnerability and strength. The play’s themes of cultural tradition, personal transformation, and the clash between idealism and reality resonate deeply, making it a unique blend of comedy and tragedy.

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  • Reviews
    • Critics reviews: "As it is, there is nothing to recommend in the film but the incomparable Magnani." Letterboxd; September 20, 2016
  • Explanations