Vreeland, Susan: 1946-2017
Girl in Hyacinth Blue, 1999
- Facts | Commentary | Articles
- Facts
- This book begins with the last owner of a fictional Vermeer painting and traces all the owners down to the moment when Vermeer created the painting. Thus giving an insight into the various periods.
Movie:
Brush with Fate (Girl in Hyacinth Blue), 2003, directed by Brent Shields, starring Ellen Burstyn, Glenn Close.
Rating:
- This book begins with the last owner of a fictional Vermeer painting and traces all the owners down to the moment when Vermeer created the painting. Thus giving an insight into the various periods.
- Commentary
- Susan Vreeland's "Girl in Hyacinth Blue" is a captivating exploration of art, history, and the human condition. The novel traces the fictional journey of a painting attributed to Vermeer, traveling backward through time to reveal its profound impact on its various owners. Each chapter offers a vignette of a different era, illustrating the painting’s ability to evoke beauty, longing, and connection across generations.
Vreeland skillfully blends art appreciation with human drama, delving into themes of love, loss, and the transient nature of life. The novel raises questions about authenticity—both of the painting and human emotions—while celebrating the enduring power of art to transcend time and circumstance.
The fragmented narrative structure mirrors the piecemeal history of many artworks, emphasizing how each owner’s story enriches the painting’s mystique. With evocative prose and rich historical detail, Vreeland creates a tapestry that highlights art’s ability to reflect humanity's complexities, making Girl in Hyacinth Blue a poignant tribute to beauty and memory.
- Articles: General Information | Detailed/Scholarly Information
- General Information:
- A Few Thoughts on "Girl in Hyacinth Blue": "The article offers a personal, engaging overview of the novel's plot, structure, and artistic descriptions." Virginia Tech; Spring 2000
- Detailed/Scholarly Information:
- Review: "The article provides a highly informative analysis by delving deeply into the novel's structure as interlinked stories tracing a Vermeer's provenance, summarizing key chapters across centuries, critiquing character development and historical authenticity, and praising its emotional depth and artistry." Kirkus Review; September 15, 1999
- Love Enough: "The review analyzes Girl in Hyacinth Blue by unpacking its structure of interlinked stories tracing a Vermeer painting's history, praising Vreeland's adept portrayal of unspoken tensions and historical sensibilities across eras." New York Times; December 19, 1999