D'Aguiar, Fred *1960
Feeding the Ghosts, 1997 - Information about the Book
- General Information
- "Feeding the Ghosts" lays bare the raw business of the slave trade. The Zong, a slave ship packed with captive African “stock,” is headed to the New World. In a strom, and to save water, over 100 men, women, and children are thrown overboard. The captain hoped to be paid for the loss of the "cargo."
- As a British-Guyanese writer, D’Aguiar’s heritage and diasporic identity played a significant role in shaping his perspective. He belongs to a generation of Black British writers who confront slavery and its legacies head-on, seeing it as their responsibility to “bear witness” to these historical traumas. By focusing on forgotten or suppressed narratives.
D'Aguiar visited the Merseyside Maritime Museum in Liverpool and based his novel on the story of Mintah—a survivor of the Zong massacre who survived being thrown overboard the Zong together with over 100 other men, women, and children in the Atlantic.Developed by AI
- Facts
- Awards: The novel did not win any major literary awards.
- Memory and Haunting
The novel imagines the throwing overboard of 132 sick slaves from the slave ship Zong in 1781. The main character Mintah, the only survivor, immortalizes the drowned slaves through 131 wooden carvings, an act described as "feeding the ghosts". This represents a way of addressing the haunting of the past and making the traumatic history live on in the present.Black Identity and Subjectivity
Mintah's character allows D'Aguiar to explore slavery's severance of family and community. Her black identity is based on filial and kinship connections, but she is also depicted as an artist, allowing a more complex articulation of black subjectivity beyond an essential racialized culture.Symbolism and Metaphor
The novel employs a body of metaphoric associations around symbols like wood, land, and especially the sea, which forges connections across different spatial and temporal zones. D'Aguiar abandons realism for the symbolism of poetry to express the diverse experiences of culture and identity.Postcolonial Perspective on the Sea
"Feeding the Ghosts" offers a postcolonial view on the sea and colonial history. The sea becomes a site of trauma and memory of the Middle Passage.In summary, "Feeding the Ghosts" uses the historical event of the Zong massacre to explore themes of memory, black identity, symbolism, and the postcolonial legacy of the sea, through the lens of the sole survivor Mintah's experience and artistic expression.
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- Critics appreciate the novel for bringing to light a tragic and often overlooked historical event.
D'Aguiar's prose is frequently highlighted for its lyrical quality and vivid imagery. His ability to blend historical fact with poetic narrative has been noted as one of the novel's strengths, creating a haunting and immersive reading experience.
Critics note that D'Aguiar successfully conveys the horror of the slave trade while also highlighting the strength and dignity of those who resisted their dehumanization.
In academic circles, "Feeding the Ghosts" is often discussed in the context of postcolonial literature and African diasporic studies.
For general readers, the novel's harrowing subject matter can be challenging but also deeply moving. Its emotional impact and the moral questions it raises about history and humanity resonate with many readers.
Overall, "Feeding the Ghosts" is perceived as a significant literary work that contributes to the understanding of a dark chapter in human history. Its combination of historical detail, poetic narrative, and profound thematic exploration has earned it a place of respect in both literary and historical discussions.Developed by AI- Reader Rating:
- Commentary
- Fred D’Aguiar’s "Feeding the Ghosts" is a harrowing historical novel inspired by the 1781 Zong massacre, where 132 enslaved Africans were thrown overboard to claim insurance. The novel examines the dehumanizing horrors of slavery while exploring themes of survival, morality, and historical memory. Central to the narrative is Mintah, an enslaved woman who survives being cast into the sea and climbs back aboard, embodying resilience and defiance against inhumanity.
The sea serves as a powerful metaphor for slavery, depicted as a vast graveyard consuming lives and erasing evidence of atrocities. This imagery underscores the brutality of the Middle Passage and the commodification of human lives. The novel also critiques the complicity of those involved in the slave trade, portraying their moral corruption and physical revulsion, such as First Mate Kelsal’s sickness during the killings.
Through its vivid storytelling, "Feeding the Ghosts" reclaims silenced histories, confronting readers with the enduring legacy of slavery and its impact on collective memory.
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- Reviews
- Explanations
- The Sea as a Confluence of Horror and Memory in Fred D’Aguiar’s Feeding the Ghosts: "Some women are sexually abused while others have no choice but to consent to sexual relationships in exchange for a piece of bread and cheese." Jean Moulin-Lyon 3 University; 2017
- Colonial Massacres and the Politics of Memory: "The novel functions as a counter-monument, a monument in fiction that deviates from the ideological construction of the imperial past that dominates the memorial culture still prevalent in Britain." (pfd 10 pp)
- Memories of the bodies, the sea, and the land: " D'Aguiar's treatment of slavery does not lay claim to objectivity, accuracy, and verisimilitude. D'Aguiar cleverly deploys the tension between historical truth and narrative truth as a primary source of the novel's narrative energy." Susanne Pichler; 2007 (pdf 15 pp)
- Reader Rating: