Cunningham, Michael *1952

Specimen Days, 2005 - Information about the Book

  • General Information
    • "Specimen Days" is a novel that weaves together three interconnected stories set in different time periods in New York City, each featuring variations of the same characters and incorporating the poetry of Walt Whitman as a unifying thread.
    • Information from Wikipedia
  • Facts
    • After the huge success of "The Hours" (published in 1998) Michael Cunningham thought that that was his last book. Yet at a party at a poet's house he decided to write another book, but not a second book with a literary figure.
      When he worked on the first chapter he learned that New York was a hellish place and that this hellish place had produced a poet like Walt Whitman. Whitman who saw beauty in everything and gave the 21. century its sense of beauty. If this terrible place had produced this great poet, he had to be in his new novel.
      From a talk I had with MIchael Cunningham
    • Awards: The novel was a finalist for several awards.

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    • Lucas: A character who appears in all three sections of the novel. In the first section, set in the past, Lucas is a young boy who escapes from a factory and finds refuge with a group of street children. In the second section, set in the present day, Lucas is a grieving man who works as a security guard in a futuristic New York City. In the third section, set in the future, Lucas is an android who develops human emotions.

      Catherine: Another character who appears in all three sections. In the first section, she is a woman living during the Industrial Revolution who becomes involved with Lucas and the street children. In the second section, she is an actress who resembles the historical Catherine but lives in contemporary New York City. In the third section, she is a scientist who creates androids like Lucas.

      Simon: A character who appears in the second and third sections of the novel. In the second section, he is a contemporary New Yorker who becomes involved with Catherine. In the third section, he is an android who works with Lucas.

      These three characters, along with recurring motifs like Walt Whitman's poetry and a talismanic bowl, link the three separate narratives spanning different time periods and genres.

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    • Humanity and Industrialization
      The first story "In the Machine" is set during the Industrial Revolution and examines the dehumanizing effects of industrialization and the loss of individual identity. Lucas fears the machines are consuming human souls, symbolizing how technological progress can diminish human worth and connection. Whitman's transcendental poetry affirms the importance of the individual human spirit against the mechanization of society.

      Alienation and Connection
      Throughout the novel, characters struggle with feelings of alienation and seek meaningful human connection. In "The Children's Crusade", the child suicide bombers represent an extreme manifestation of alienation and disconnection from society. The futuristic "Like Beauty" depicts human/alien encounters that explore ideas of otherness and bridging vast divides.

      Cycles of Violence and Hope
      The novel examines cycles of violence, from the industrial "machine" deaths to the 9/11-inspired terrorism of "The Children's Crusade". Yet it also offers hope - the alien civilization of the future represents the possibility of overcoming violence and achieving harmony between disparate beings.

      Whitman's Transcendentalism
      Walt Whitman's poetry celebrating the beauty and divinity within each person is a unifying thread. His transcendental vision provides solace amid dehumanization and alienation, offering a path toward empathy, unity and spiritual rebirth across the narratives.

      In grappling with industrialization, violence, alienation and human disconnection, "Specimen Days" uses Whitman's inclusive, democratic vision as a guide toward understanding our shared humanity across all boundaries.

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    • The novel has generally received positive critical acclaim for its ambitious structure and thematic depth. Each of the three sections of the novel — a historical fiction piece set in the 19th century, a contemporary thriller, and a dystopian sci-fi story — are interconnected by recurring motifs, characters, and references to Walt Whitman’s poetry, particularly his work Leaves of Grass. The innovative structure has been praised for its creativity and for challenging conventional storytelling techniques.

      Cunningham's ability to create compelling characters that resonate across different timelines has been positively reviewed. Despite the shifting settings and genres, the core emotions and struggles of the characters provide a continuous thread throughout the novel.

      Cunningham's prose style has been consistently praised for its lyrical quality and emotional depth. His ability to capture the beauty and complexity of human experiences is a standout feature of the novel.

      Reviews from major publications like The New York Times and The Guardian have generally been favorable, acknowledging the novel’s depth and Cunningham’s skillful execution of a complex narrative structure. Some critics, however, have noted that the ambitious structure can at times feel disjointed, and the shifts between genres may not appeal to all readers equally.

      In summary, while "Specimen Days" may challenge readers with its ambitious narrative shifts and thematic complexity, it is widely regarded as a powerful and thought-provoking novel that successfully weaves together different genres and eras with poetic finesse.

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    • Reader Rating:
  • Author
    • Michael Cunningham talks about the novel, host: Hans Fischer. SwissEduc; Provincetown, MA; July 15, 2006
    • Michael Cunningham talks with James Michael Tyler about 'Specimen Days'. August 4, 2005
    • Michael Cunningham on Specimen Days. The John Adams Institute; September 29, 2005
    • Michael Cunningham and novelist Neel Mukherjee. The Book Club of The New York Times
  • Articles
    • Review: "In fact this is not a novel at all but three novellas lumped together". The Guardian; July 21, 2005
    • Michael Cunningham takes on Whitman: "Cunningham self-consciously invokes Whitman, the romantic bard of industrialization, as a foil for the novel’s own dark—and rather narrow—view of history. To ask Whitman to serve as the stimulating antidote to a novel of an anti-industrial bent seems somehow cheap." Slate; June 7, 2005
    • Review: "Each of the three novellas that make up "Specimen Days" plays with a different literary genre - the ghost story, the detective story, the sci-fi thriller". The New York Times; June 20, 2005
    • Audio (5:07)
      Maureen Corrigan reviews 'Specimen Days'. NPR Radio; July 19, 2005
    • Entryism: "One way of reading Specimen Days: as Whitman meets Freud. A psychoanalytic narrative weaves its way through all of Cunningham’s novels, which often involve tripartite arrangements, not just formally but psychologically. Cunningham seems bent on a progressive rewriting of the classical Oedipal narrative". Jacqueline Rose, London Review of Books; September 22, 2005
    • Audio (2:14)
      Alan Cheuse reviews Specimen Days. The title comes from Walt Whitman, and Whitman's voice is heard throughout the three novellas that comprise this book. NPR Radio; June 7, 2005
      transcript
    • Fine Specimen: "If the stories that Cunningham is left with may strike some readers as unresolved, this challenge to Whitman, or to the sublimation of selfhood he might stand for, is exactly the kind of bold experiment that a novelist who takes his art seriously ought to make." The New York Magazine; January 20, 2024
  • Walt Whitman